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Annie
Carlano, M.A.
Curator of North American and European Collections
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| Annie
Carlano has undergraduate and graduate degrees in art
history from the Università degli Studi,
Florence, Italy. She has worked as a curator at the
Wadsworth Atheneum in Hartford, Ct and was Senior Curator
for Textiles, at the Museum of Fine Arts, Boston. She
has taught for Parsons School of Design, Paris, the
Cooper Hewitt Graduate Program in the Decorative Arts,
and the Bard Graduate Center, both in New York City.
The recipient of two Mellon Fellowships, Ms. Carlano
has lectured and published worldwide. Future collecting
efforts will focus on filling gaps in the area of traditional
Southern French and Central Italian ceramics, and continuing
to strengthen our British and contemporary holdings.
The book published in conjunction with MOIFA's exhibition,
Vernacular
Visionaries: 20th Century Outsider Art in Context,
is edited by Ms. Carlano and published by Yale University
Press. Ms. Carlano co-curated Dream
On Beds From Asia to Europe with Dr. Bobbie Sumberg,
Curator of Textiles & Costumes; and coordinated
the traveling exhibition Gee's
Bend Quilts & Beyond. |
Ceramic Pumpkin
Kate Malone
United Kingdom
2001
Museum of New Mexico |
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Nicolasa Chavez
Curator of Spanish Colonial & Contemporary
Hispano/Latino Collections
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| Nicolasa
Chávez received two B.A.s in History and Spanish Language
as well as her M.A. in History/Iberian Studies from
the University of New Mexico. She is the most recent
addition to the curatorial staff at Museum of International
Folk Art. Her previous experiences include working as
a graduate assistant transcribing 17th c. Spanish documents
for the Vargas Project, an editorial project dedicated
to publishing the historic documents and letters of
Don Diego de Vargas, Assistant Curator at the Museum
of Spanish Colonial Art, where she curated El Mantón
de Manila/The Spanish Silk Shawl, and was most recently
Curator/Site Manager of Casa San Ysidro: The Gutiérrez/Minge
House of the Albuquerque Museum. Her main passion/area
of interest is the study of the history of Flamenco
and authentic Argentine Tango. She has presented many
lecture/demonstrations on the history of each as well
as the socio-cultural symbolism and meanings behind
the songs for various public, private and professional
organizations. Ms. Chávez has also lectured on New Mexico's
rich artistic and historical background including a
history of wine in New Mexico, Spanish silk shawls,
trade items from the Manila galleons, Holy Week in Spain
and New Mexico, metalwork, jewelry and utilitarian artifacts
in New Mexico. Her collecting emphasis will be to continue
growing both the Spanish Colonial and Contemporary Latino
Collections especially in regards to ironwork, furniture,
utilitarian artifacts. She is also interested in recording
the histories and collecting artifacts of the first
generation of native New Mexican Flamenco artists. Her
first exhibit will showcase a talented group of 20th
c. New Mexican artists who have all been recipients
of the National
Endowment for the Arts Heritage Fellowship». |
Bulto
Nuestra Señora de Guadalupe
Rafael Aragon
New Mexico
1820-1862
Bequest of Cady Wells |
Felicia
Katz Harris
Curator of Asian & Middle Eastern Folk Art
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Felicia Katz Harris received her
graduate degree in cultural anthropology from Arizona
State University Tempe, Arizona, with a geographic concentration
in South and Southeast Asia, and theoretical concentrations
in museum anthropology, material culture, and issues
of representation. She has also studied Bahasa Indonesia
at Universitas Gadjah Mada in Yogyakarta, Indonesia
and received a Rotary Fellowship to study art history
at Visva Bharati University in Santiniketan, India,
where her research focused on Bengali folk arts. Katz
Harris has curated numerous exhibitions, and past experience
includes positions held at the Woody Guthrie Foundation
and Archives, the Brooklyn Children's Museum, the Arizona
State Capitol Museum, and the Program for Southeast
Asian Studies at Arizona State University. Current research
and collecting interests include beadwork and body adornment,
Javanese shadow puppets wayang kulit, and religious
arts from Israel and Palestine. Recent exhibitions a
the Museum of International Folk Art include Variations:
Selections from the Diane and Sandy Besser Collection
and collaboration on Village
of Painters: Narrative Scrolls from West Bengal» |
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Barbara
Mauldin, Ph.D.
Curator of Latin American Folk Art
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| Barbara
Mauldin received her Ph.D. from the University of New
Mexico and has served as curator at the museum for over
twelve years. Her interests are varied, ranging from
ceramics, to dance masks, to folk Catholic devotional
objects. Some of her recent published work includes
an article on Corpus Christi festival costumes in highland
Ecuador in Recycled
Re-Seen: Folk Art from the Global Scrap Heap
(Abrams, 1996), an article on Latin American folk art
in the Neutrogena collection in Extraordinary in
the Ordinary (Abrams, 1998), a book on MOIFA's collection
of Mexican masks entitled Masks of Mexico (MNM
Press, 1999), and an article on 20th century mayolica
production in Puebla, Mexico in Ceramica
y Cultura (UNM Press,
2003). She has recently completed coordinating traveling
¡CARNAVAL!,
an exhibition that illuminates this festival in eight
communities throughout Europe and the Americas, while
working on a future exhibition of Andean Folk Art. |
Charro Masquerader for Carnival
Nahau People,
Papalota, Tlaxacala, Mexico
c. 1987
International Folk art Foundation |
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Bobbie
Sumberg, Ph.D.
Curator of Textiles & Costume
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 Bobbie
Sumberg received her Master's and Doctorate degrees from the
University of Minnesota, Department of Design, Housing, and
Apparel. Her research in Nigeria and Cote d'Ivoire emphasized
the production and use of textiles in cultural context. African
textiles and household objects are a collecting priority for
the museum. Southeast Asian textiles and dress as well as
ritual textiles, jewelry, and amulets are also priorities.
Recent publications include an article in Hali, "Panther
Skins and Loaves of Bread: Tie-dyed Textiles of Oumé."
Dr. Sumberg served as curator for the exhibition,
Needles
+ Pins: Textiles and Tools»; and coordinated
the traveling exhibition Power
Dressing: Men's Fashion & Prestige in Africa».
Man's Robe
Yoruba People, Nigeria
19th Century
Gift of Lloyd Cotsen
and Neutrogena Corp.
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